Mariska Hargitay Loves Her Curves from Motherhood

By Andrea Billups

02/08/2013 at 11:15 AM EST

Mariska Hargitay

Courtesy Ladies Home Journal

Motherhood and the perspective of age have helped Mariska Hargitay become a more confident – and fulfilled – woman and actress.

The longtime Law & Order: Special Victims Unit star, 49, answered candid questions about life and aging from readers for the Ladies' Home Journal's March cover story, on newsstands Feb. 12.

"I love my curves because they scream, 'I'm a mama!' I'm the girl who started wearing maternity pants about an hour after I found out I was pregnant because I was so excited about becoming a mom " Hargitay, a mother of three, happily offers, noting that while she runs to stay fit, it's carrying toddlers up the stairs in her home that now add strength training to her daily workouts.

While her late mother, the actress Jayne Mansfield, was known for her vavoom pin-up body, Hargitay eschews that sexualized image, saying women should not be defined by their shapes.

"There's this picture of her in a director's chair with her measurements on the back: 40-21-35. When I look at that picture part of me says, 'Mom, I love your sense of humor.' But the other part of me says, 'No, your name is supposed to go there. Your body is not who you are," says Hargitay who lost her famous mom at age 3 and who was raised by her father and stepmother.

"I don't think women should label themselves based on the way they look," Hargitay says. "What about defining yourself by a different kind of measurement? What about your heart, your soul, your compassion, your generosity, your strength, and your power? There are so many other things to focus on besides your waistline."

She confesses: "Some days having that extra bowl of pasta and a Reese's Peanut Butter Cup means more to me than being thin."

Although she was raised to look natural – her late father, bodybuilder Mickey Hargitay, didn't like makeup – Hargitay says she supports any woman who might consider plastic surgery to freshen their appearance and make them feel better about themselves. For now, she is happily embracing her age.

"Things are sagging a bit – I'm not going to lie. But am I going to be upset about the sag or am I going to look at my three gorgeous kids and my husband and count my lucky stars?" she says. " I try to focus on who I am rather than who I'm not."

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Southern diet, fried foods, may raise stroke risk

Deep-fried foods may be causing trouble in the Deep South. People whose diets are heavy on them and sugary drinks like sweet tea and soda were more likely to suffer a stroke, a new study finds.

It's the first big look at diet and strokes, and researchers say it might help explain why blacks in the Southeast — the nation's "stroke belt" — suffer more of them.

Blacks were five times more likely than whites to have the Southern dietary pattern linked with the highest stroke risk. And blacks and whites who live in the South were more likely to eat this way than people in other parts of the country were. Diet might explain as much as two-thirds of the excess stroke risk seen in blacks versus whites, researchers concluded.

"We're talking about fried foods, french fries, hamburgers, processed meats, hot dogs," bacon, ham, liver, gizzards and sugary drinks, said the study's leader, Suzanne Judd of the University of Alabama in Birmingham.

People who ate about six meals a week featuring these sorts of foods had a 41 percent higher stroke risk than people who ate that way about once a month, researchers found.

In contrast, people whose diets were high in fruits, vegetables, whole grains and fish had a 29 percent lower stroke risk.

"It's a very big difference," Judd said. "The message for people in the middle is there's a graded risk" — the likelihood of suffering a stroke rises in proportion to each Southern meal in a week.

Results were reported Thursday at an American Stroke Association conference in Honolulu.

The federally funded study was launched in 2002 to explore regional variations in stroke risks and reasons for them. More than 20,000 people 45 or older — half of them black — from all 48 mainland states filled out food surveys and were sorted into one of five diet styles:

—Southern: Fried foods, processed meats (lunchmeat, jerky), red meat, eggs, sweet drinks and whole milk.

—Convenience: Mexican and Chinese food, pizza, pasta.

—Plant-based: Fruits, vegetables, juice, cereal, fish, poultry, yogurt, nuts and whole-grain bread.

—Sweets: Added fats, breads, chocolate, desserts, sweet breakfast foods.

—Alcohol: Beer, wine, liquor, green leafy vegetables, salad dressings, nuts and seeds, coffee.

"They're not mutually exclusive" — for example, hamburgers fall into both convenience and Southern diets, Judd said. Each person got a score for each diet, depending on how many meals leaned that way.

Over more than five years of follow-up, nearly 500 strokes occurred. Researchers saw clear patterns with the Southern and plant-based diets; the other three didn't seem to affect stroke risk.

There were 138 strokes among the 4,977 who ate the most Southern food, compared to 109 strokes among the 5,156 people eating the least of it.

There were 122 strokes among the 5,076 who ate the most plant-based meals, compared to 135 strokes among the 5,056 people who seldom ate that way.

The trends held up after researchers took into account other factors such as age, income, smoking, education, exercise and total calories consumed.

Fried foods tend to be eaten with lots of salt, which raises blood pressure — a known stroke risk factor, Judd said. And sweet drinks can contribute to diabetes, the disease that celebrity chef Paula Deen — the queen of Southern cuisine — revealed she had a year ago.

The National Institute of Neurological Disorders and Stroke, drugmaker Amgen Inc. and General Mills Inc. funded the study.

"This study does strongly suggest that food does have an influence and people should be trying to avoid these kinds of fatty foods and high sugar content," said an independent expert, Dr. Brian Silver, a Brown University neurologist and stroke center director at Rhode Island Hospital.

"I don't mean to sound like an ogre. I know when I'm in New Orleans I certainly enjoy the food there. But you don't have to make a regular habit of eating all this stuff."

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Marilynn Marchione can be followed at http://twitter.com/MMarchioneAP

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Bar trivia is more than just fun and games

The door to the bar in Palms swung open, and strains of the theme from "Rocky III" burst into the street: "It's the eye of the tiger / It's the thrill of the fight!"

It was the call to arms for the Tuesday trivia night at the Irish Times pub.

A tall man stood among the Irish flags and faux-antique Guinness etchings and shot off the first question: "An NFL broadcaster who earned a law degree." Regulars nursing craft brews and munching on mozzarella sticks at the bar ignored him. But in the corner, John Verran and his trivia team worked intently on the correct answer.

"It's very competitive," said Verran, 27, a geographical information systems graduate student.

Bar trivia in Los Angeles is no trifling matter. Building on the runaway popularity of the game Trivial Pursuit in the 1980s, the pub quiz phenomenon exploded in British and Irish watering holes, spread to the East Coast and arrived in Southern California in earnest five years ago. As many as 70 local bars put on trivia nights, with more joining every day, said Andy Roth, owner of Action Trivia, one of the larger promoters.

"It's Manifest Destiny, man," said Roth, talking of the trend's momentum after hosting a pub quiz Wednesday at Michael's Bar & Grill in Burbank. "The hipsters love this."

The Irish Times game is highly organized — printed answer forms, weighted categories, intricate scoring. Some promoters hire staff members to research questions; others rely on hosts and players for suggestions. Prizes are usually nominal: a free dinner, or cash off the bar tab.

It's a know-it-all's paradise, and I should know. My childhood nickname was "Mrs. Dictionary." Does anyone else remember the Knowledge Bowl at the Balboa Fun Zone?

The players are Type-Aers whose idea of relaxation is a savage intellectual dogfight. All in good fun, of course. The top teams skew young, 20-somethings who spend all day online and are hungry for human contact. Structured play is safe ground for a generation raised in day care with their off-hours strictly regimented, and who suffer from early-onset nostalgia — Teletubbies, '90s pop.

Verran's team, Deliveries in the Rear ("It seemed amusing at the time," he said), formed around a nucleus of classmates from USC law school. They've been playing trivia at Irish Times for four years, returning week after week to face familiar rivals.

Verran was captain of his high school's championship Quizbowl team in Huntington Beach and is a lifelong trivia buff. "My mind just works that way," he said. Avi Schwartz, a patent lawyer with a chemistry degree, is the science nerd. Kristen Sales, who writes about movies for a film website, just likes games. "I grew up playing games," Sales said. "Me at 25 and me at 12 are basically the same person."

Some teams study on their own time, or enlist ringers to shore up their weak areas. Players size each other up in competition, then come together to form superteams.

"There are even headhunters out there recruiting," said entertainment attorney and Deliveries member Vanessa Flanders.

Greg Beron of Dreambuilders Multi-Media was the evening's host. A former lawyer, he runs a home brewing supply store in Culver City and does trivia on the side.

The Irish Times game is tough, he conceded. His musical interludes are sometimes clues to the answers, but not always. Beron doesn't want me to say which were which, and was touchy about my printing answers to any of his questions; he's saving the game for another pub quiz.

"We're not there to make it easy for people," Beron said.

Early in the first round, Deliveries faced their first big challenge, a four-part bonus question: Name double-word song titles performed by musicians David Bowie, Billy Idol, Paula Abdul and Run DMC.

A thrill of excitement ran through me when I heard it: "Rebel Rebel!" I cried. Bowie, my era!

Deliveries also got the Bowie tune and Idol's "Mony Mony" ("Spelling counts on this one," Beron said.) But Run DMC's "Mary, Mary" and Abdul's "Rush Rush" eluded the team.

"We almost had it — we put 'Hush Hush,' " Verran said of fluffing the Abdul answer.

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Lens Blog: Sirkka-Liisa Konttinen's Photos of Her Newcastle Neighborhood

On clear days in Newcastle-Upon-Tyne, a small yet bustling working-class city in northeast England, the view from the hills of Byker can be spectacular. That shabby neighborhood’s rows of brick houses and terraced streets overlook a historic city center, the river and sometimes far beyond.

Those vistas were rare in 1969, when Sirkka-Liisa Konttinen, a 21-year-old Finnish photographer, arrived. The landscape was cloaked in an industrial fog belched from the coal and shipbuilding industries.

Despite the grayness, the laughter and vivacity that radiated from this close-knit community appealed to Ms. Konttinen. It welcomed a young foreigner whose presence stoked curiosity, but also generosity. They joked with her in pubs. Some of the older women took her under their wing — she kindled a protective instinct in them.

“People were baffled by my choice to live there,” Ms. Konttinen recalled. “Not that many people had any idea where Finland was, but if they did, they thought it such a beautiful clean country, and why would I choose to come to Byker?”

She had ventured there because of Amber Collective, a progressive documentary project that she helped found, which chronicled the lives of working people in northeast England. The group was formed in London by a handful of students who made a film following Vietnam War demonstrations at Grosvenor Square that turned violent. Titled “All You Need Is Dynamite,” it was just a student effort, but its makers found they shared a philosophy.

Before long, they had relocated to Newcastle.

The city was in decline. Urban planners sought flashy new development projects, and some sections, like Byker, were scheduled for demolition. Ms. Konttinen was unaware that she was documenting a place that was about to disappear. Not drawn to gloomy topics, she found the place spirited and interesting.

“Initially, I don’t think we ever thought that we need to document it because it will be the only thing left for people to remember the place and what the area was like,” she said. “I personally have never felt that that was my mission.”

The Amber Collective has produced an enormous amount of material, dating back decades, that is focused on the communities of northeast England, although Ms. Konttinen’s Byker pictures are probably the collective’s best-known project. That work was published as a book in 1983; Amber also released a film companion of the same name, and in 2011 her documentation was registered with the Unesco U.K. Memory of the World. For the first time, the series as a whole will be shown in the United States, on view at the L. Parker Stephenson Gallery from Feb. 15 through May 18. Ms. Konttinen will also deliver a lecture at the International Center for Photography on Feb. 13.

In recent years, she returned to Byker. The new Byker is changed — more on that Friday — and the changes required her to reconsider her approach when she decided to photograph it. The newer project, “Byker Revisited,” is a result of a far more collaborative endeavor. Not that she hadn’t collaborated in other ways with a subject before. Her 1971 photo of Heather (Slide 3) brought about one such relationship.

“I heard music coming from a derelict house,” she said. “This was one of the last terraces before the final demolition, and there were no steps left to the house, but upstairs I heard music, piano, coming out the windows.”

She entered the house, climbing a rickety staircase to where the music was coming from. She found a girl, Heather, “playing the piano, banging the notes that were kind of stuck and unstuck.”

Ms. Konttinen and Heather started talking, and Ms. Konttinen taught her a simple tune.

“I told her if she ever wanted to come and play, she could come and play it again on my piano,” Ms. Konttinen said. Heather showed up a few days later, with her little brother. On Ms. Konttinen’s piano, they played the tune together.

---

Friday: Returning to Byker, in color.

“Byker” will be on view at the L. Parker Stephenson Gallery from Feb. 15 through May 18. Ms. Konttinen will also deliver a lecture at the International Center for Photography on Feb. 13.

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Cam Gigandet Welcomes a Son - Rekker Radley

Mom & Babies
Celebrity Baby Blog

02/07/2013 at 11:00 AM ET

Pacific Coast News

It’s a boy!

Cam Gigandet and his fiancée Dominique Geisendorff welcomed their second child on Wednesday, Jan. 23, his rep confirms to JustJared.com.

Son Rekker Radley Gigandet, who weighed in at 9 lbs. 9 oz., joins the couple’s daughter Everleigh Rae, 3½.

“All are happy and healthy,” the actor’s rep says in a statement.

Gigandet, 30, and Geisendorff confirmed that they were expanding their family in July.

The new dad has a number of upcoming films set for release later this year, including Red Sky, Free Ride, Johnson, In the Blood, One Square Mile and Plush.

– Anya Leon

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New whooping cough strain in US raises questions

NEW YORK (AP) — Researchers have discovered the first U.S. cases of whooping cough caused by a germ that may be resistant to the vaccine.

Health officials are looking into whether cases like the dozen found in Philadelphia might be one reason the nation just had its worst year for whooping cough in six decades. The new bug was previously reported in Japan, France and Finland.

"It's quite intriguing. It's the first time we've seen this here," said Dr. Tom Clark of the Centers for Disease Control and Prevention.

The U.S. cases are detailed in a brief report from the CDC and other researchers in Thursday's New England Journal of Medicine.

Whooping cough is a highly contagious disease that can strike people of any age but is most dangerous to children. It was once common, but cases in the U.S. dropped after a vaccine was introduced in the 1940s.

An increase in illnesses in recent years has been partially blamed on a version of the vaccine used since the 1990s, which doesn't last as long. Last year, the CDC received reports of 41,880 cases, according to a preliminary count. That included 18 deaths.

The new study suggests that the new whooping cough strain may be why more people have been getting sick. Experts don't think it's more deadly, but the shots may not work as well against it.

In a small, soon-to-be published study, French researchers found the vaccine seemed to lower the risk of severe disease from the new strain in infants. But it didn't prevent illness completely, said Nicole Guiso of the Pasteur Institute, one of the researchers.

The new germ was first identified in France, where more extensive testing is routinely done for whooping cough. The strain now accounts for 14 percent of cases there, Guiso said.

In the United States, doctors usually rely on a rapid test to help make a diagnosis. The extra lab work isn't done often enough to give health officials a good idea how common the new type is here, experts said.

"We definitely need some more information about this before we can draw any conclusions," the CDC's Clark said.

The U.S. cases were found in the past two years in patients at St. Christopher's Hospital for Children in Philadelphia. One of the study's researchers works for a subsidiary of Johnson & Johnson, which makes a version of the old whooping cough vaccine that is sold in other countries.

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JournaL: http://www.nejm.org

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Police on high alert after ex-LAPD cop's alleged serial shootings

Authorities across Southern California were on high alert Thursday morning as a massive manhunt was underway for an ex-Los Angeles police officer sought in connection with a double homicide and the shootings of three police officers, one of whom was killed.

Local, state and federal authorities are involved in the search for Christoper Jordan Dorner, 33, who threatened "unconventional
and asymmetrical warfare" against police in an manifesto posted on his Facebook page.

Dorner also threatened more than two dozen people -- including police officials -- in his manifesto. Officers from around Southern California have been deployed
to protect those people. In some cases, police said, those at risk have relocated for their safety.

PHOTOS: Manhunt for ex-LAPD officer

 LAPD Charlie Beck is expected to hold a press conference at
10 a.m.

When asked if police felt they were under attack, Riverside Police Lt. Guy Toussaint said: “Based on the circumstances of the
shooting, yes I do.”

Hours after authorities announced they were looking for Dorner in connection with a double homicide in Orange County, the search intensified after three police officers were shot in Riverside County and Dorner was identified as a possible suspect.

Ex-LAPD cop tried to steal boat, flee to Mexico, authorities say

Freeway signs urged motorists to call 911 if they saw the suspect's vehicle as officers patrolled the streets near one of the Riverside County crime scenes with rifles at the ready. Los Angeles was put on a citywide tactical alert and California Highway Patrol issued a "blue alert" for nine Southern California counties warning Dorner was considered "armed and extremely dangerous."

The first shooting occurred about 1:30 a.m. Thursday in Corona, where two Los
Angeles Police Department officers providing protection for
someone mentioned in Dorner's manifesto, officials said. One
officer suffered a graze wound to the head during a shootout and Dorner fled
the scene, police said.

A short time later, two Riverside officers were shot at the corner of Magnolia Avenue and Arlington
Avenue in
Riverside. Toussaint said the officers were
sitting at a red light when they were ambushed. One was killed, the
other was still in surgery Thursday morning.

Ex-LAPD officer threatened to kill in online manifesto

There was no indication the officers were "actively seeking Dorner," Toussaint said.

“Our
officers were stopped at an intersection at a red light when they were
ambushed," he said. "Because of the close proximity to the timeline, we believe there is a
strong likelihood that former LAPD Officer Christopher Dorner was involved in
our incident.”

In the online manifesto, Dorner specifically named the father of
Monica Quan, the Cal State Fullerton assistant basketball coach who was
found dead Sunday in Irvine along with her fiance, Keith Lawrence.

Randy Quan, a retired LAPD captain, was involved in the review
process that ultimately led to Dorner’s dismissal. A former U.S. Navy
reservist, Dorner was fired in 2009 for allegedly making false
statements about his training officer. In the manifesto, he complained that Randy Quan and others did not fairly represent him at the review hearing.

“The violence of action will be high .... I will bring unconventional
and asymmetrical warfare to those in LAPD uniform whether on or off
duty," Dorner wrote.

As authorities swarmed the area, two officer-involved shootings occurred in Torrance after police came across vehicles they thought might be Dorner's.

The first Torrance incident occurred about 5:20 a.m. in the 19500
block of Redbeam Avenue in Torrance, Lt. Devin Chase said. That incident involved
Los Angeles police detectives from the Hollywood division, sources said.

Two people were struck by gunfire and transported to an area hospital with unknown injuries, Chase said. No officers were injured.

The second incident, which involved Torrance police officers,
occurred at Flagler Lane and Beryl Street about 5:45 a.m. No injuries
were reported in that incident.

Chase said both incidents involved vehicles matching the description of the one sought in connection with Dorner.

"Now it appears neither of them are directly related," Chase said. "In both of them, officers believed they were at the time."

Authorities said they believe Dorner attempted to steal a boat from an elderly man about 10:30 p.m. Wednesday
at the Point Loma Yacht Club in San Diego, hours before the shootings in
Riverside County.

The boat owner reported being accosted by a burly man who tied him up, threatened
him with a gun and said he wanted the boat to flee to Mexico.

PHOTOS: Manhunt for ex-LAPD officer

But while they were trying to get underway, a rope became entangled
in the propeller and the boat was inoperable, authorities said.

The suspect fled the scene and the boat owner was unharmed.

About 2 a.m., a citizen reported finding property belonging to Dorner
on a street near Lindbergh Field, not far from the scene of the
attempted boat theft. The property included a briefcase and Dorner's
LAPD badge.

ALSO:

Riverside police 'ambushed' by shooter, official says

Police shoot two in Torrance in search for ex-LAPD cop

Manhunt underway for ex-LAPD officer suspected of shooting 3 cops

— Andrew Blankstein, Kate Mather, Phil Willon and Tony Perry

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IHT Rendezvous: 'Rigoletto' in Vegas, 'Manon Lescaut' in the Metro

BRUSSELS—The day after the Metropolitan Opera in New York unveiled a production of Verdi’s “Rigoletto” set in Las Vegas during the 1960s, I was in Belgium, where another exercise in operatic updating is underway at the Théâtre royal de la Monnaie. Here, Mariusz Trelinski’s staging of Puccini’s “Manon Lescaut” — through Feb. 8 — situates the opera in the waiting room of a subway station.

Opera goers are often incensed by productions like these, yet updating is potentially a relatively mild device. Once the new setting is established, the action can play out coherently and essentially traditionally. This happened with “La Bohème” last summer at the Salzburg Festival, staged by Damiano Michieletto.

One could object to the hovel of the bohemians’ Parisian loft, but there was something touching about seeing Anna Netrebko as Mimì crouched in the snow behind a hotdog truck near the city’s peripheral expressway, as she overheard Rodolfo and Marcello discussing her fragile health.

By contrast, La Scala’s recent “Lohengrin” directed by Claus Guth, which focused on the repressiveness of German society at the time of the opera’s composition and, in Mr. Guth’s fanciful interpretation, its bizarre effects on the psyche of the title character, counts as truly radical.

The Met’s take on “Rigoletto” had a widely acknowledged antecedent in Jonathan Miller’s production of the opera for the English National Opera, which was set in New York’s Little Italy and seen in that city on a 1984 tour. The Met’s new production by Michael Mayer is reportedly less successful. Writing in The New York Times, Anthony Tommasini detected “dynamic elements in this colorful, if muddled and ill-defined ‘Rigoletto’” but noted that “there are big holes” in Mr. Mayer’s concept. The criticism is directed not so much at the updating itself but the lack of disciplined follow-through.

The updating of “Manon Lescaut,” which is specified to take place in the 18th century, comes off as inherently misguided. Boris Kudlicka’s chic-looking set is essentially all in black, although city lights are sometimes visible, as if seen from a moving train. A system map is on one wall, pay telephones on another.

The mismatch is apparent from the first measures of Puccini’s sparkling orchestral introduction to Act 1. This is music designed for the outdoors—a public square in Amiens—not a space underground. It announces something special is in the works, not dreary routine. It conveys youthful high spirits, not gloom. Also, the mores of pre-revolutionary France are important in the opera.

Whether Mr. Trelinski’s conception of Manon herself is an outgrowth of his updating, or the other way around, it robs her of her allure. When, early on, the smitten Des Grieux declares his love for her, Manon sits at the end of a bar wearing a red coat and dark glasses and smoking a cigarette—the very image of a prostitute. Manon is a material girl all right, but one with such irresistible femininity she gets what she wants from men without having to market herself. You never sense this here. Further, a demimonde element weighs on the first two acts. Manon’s benefactor, Geronte (the bass Giovanni Furlanetto, in excellent voice), is depicted as a crime figure, and there is some curious activity involving topless girls and golf clubs.

Mr. Trelinski’s approach also intensifies an acknowledged structural weakness of the opera. All the opera’s gaiety is concentrated in the first two acts, whereas Act 3 and 4—in which Manon is deported from France and then dies in the New World—are uniformly gloomy. But here, Acts 1 and 2 are gloomy too.

Mr. Trelinski, who is artistic director of the Teatr Wielki in Warsaw, where the production originated, is a respected director with some notable achievements. I have admired his double bill of Bartok’s “Bluebeard’s Castle” and Tchaikovsky’s “Iolanta,” which will be seen at the Met in a future season. His work here has some redeeming aspects, especially in Act 4. Puccini’s setting for this act—a vast desert near the outskirts of New Orleans—is one of opera’s most implausible, so it is no great loss to see it supplanted. Fascinatingly, Mr. Trelinski ensures that Des Grieux suffers here as much as Manon does, as he becomes delusional and, apparently, starts to see double. A second Manon appears, whom Des Grieux cannot seem to distinguish from the first.

Carlo Rizzi presides over a colorful reading of the score and a cast headed by an excellent pair of lovers in Eva-Maria Westbroek and Brandon Jovanovich. When the two sang their big duet in Act 2, you could forget about the production and become wrapped up in Puccini’s drama. Ms. Westbroek’s commanding soprano is a bit large for Manon, whose music can profit from greater tonal delicacy. Still, she offers some splendid singing, apart from some difficulty on top, and gives an especially gripping account of Manon’s final aria, “Solo, perduta, abbandonata.”

In this production Des Grieux emerges as the more emotionally vibrant lover, and Mr. Janovich’s clear, virile singing makes the most of the opportunity. Unfortunately, he was in ill health and departed the performance after Act 2, but the intervention of Hector Sandoval, the alternate Des Grieux, allowed the performance, which was streamed to movie theaters, to continue without a hitch. He sang well and knew intricacies of the staging, flaws and all.

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Nate Berkus Told His Dad That He Was Born Gay - It Wasn't a Choice

Design star Nate Berkus says gaining his father's trust and respect as he explained that he was born gay – and it wasn't a choice – changed their relationship and helped him move forward in his life.

Berkus, speaking candidly to his mentor, Oprah Winfrey on her Super Soul Sunday series, opened up in a two-part interview, sharing the emotional moments that came with discussing his sexuality.

"I asked my father: 'Do you trust me? Do you respect me? Do you think I'm smart?' He said, 'Yes,' " Berkus, 41, tells Winfrey.

"I said, 'Why would I choose to make my life more difficult – why would anyone choose to make their life more difficult? Do you think I would choose to have this hair? Do you think that I would choose to be 5'9"? I would have been 6'1". It's the exact same thing. The truth of the matter is being gay is the way I was born. I believe this to the core of my being.' "

Berkus continued: "I said, 'Dad, we are never going to have a real relationship if you don’t believe me.' He said, 'If you say you are born this way, and you didn't have a choice, then we are good.' That was really the moment. Then, I knew if I had this base level of respect that I could move forward."

The Chicago-based interior designer, whose latest book is The Things That Matter, rose to national prominence after he was invited in 2002 to do a makeover on a space for The Oprah Winfrey Show, where he become a frequent and charismatic guest. He was later given his own program, The Nate Berkus Show, which aired from 2010 to 2012.

Berkus also speaks to Oprah about the death of his longtime partner, Fernando Bengoechea, who was swept away from the beach resort where the couple was vacationing during the 2004 Indian Ocean tsunami.

The show, Oprah & Nate Berkus, The Things That Matter, will air on Feb. 10 and Feb. 17 on OWN: Oprah Winfrey Network.

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Critics seek to delay NYC sugary drinks size limit

NEW YORK (AP) — Opponents are pressing to delay enforcement of the city's novel plan to crack down on supersized, sugary drinks, saying businesses shouldn't have to spend millions of dollars to comply until a court rules on whether the measure is legal.

With the rule set to take effect March 12, beverage industry, restaurant and other business groups have asked a judge to put it on hold at least until there's a ruling on their lawsuit seeking to block it altogether. The measure would bar many eateries from selling high-sugar drinks in cups or containers bigger than 16 ounces.

"It would be a tremendous waste of expense, time, and effort for our members to incur all of the harm and costs associated with the ban if this court decides that the ban is illegal," Chong Sik Le, president of the New York Korean-American Grocers Association, said in court papers filed Friday.

City lawyers are fighting the lawsuit and oppose postponing the restriction, which the city Board of Health approved in September. They said Tuesday they expect to prevail.

"The obesity epidemic kills nearly 6,000 New Yorkers each year. We see no reason to delay the Board of Health's reasonable and legal actions to combat this major, growing problem," Mark Muschenheim, a city attorney, said in a statement.

Another city lawyer, Thomas Merrill, has said officials believe businesses have had enough time to get ready for the new rule. He has noted that the city doesn't plan to seek fines until June.

Mayor Michael Bloomberg and other city officials see the first-of-its-kind limit as a coup for public health. The city's obesity rate is rising, and studies have linked sugary drinks to weight gain, they note.

"This is the biggest step a city has taken to curb obesity," Bloomberg said when the measure passed.

Soda makers and other critics view the rule as an unwarranted intrusion into people's dietary choices and an unfair, uneven burden on business. The restriction won't apply at supermarkets and many convenience stores because the city doesn't regulate them.

While the dispute plays out in court, "the impacted businesses would like some more certainty on when and how they might need to adjust operations," American Beverage Industry spokesman Christopher Gindlesperger said Tuesday.

Those adjustments are expected to cost the association's members about $600,000 in labeling and other expenses for bottles, Vice President Mike Redman said in court papers. Reconfiguring "16-ounce" cups that are actually made slightly bigger, to leave room at the top, is expected to take cup manufacturers three months to a year and cost them anywhere from more than $100,000 to several millions of dollars, Foodservice Packaging Institute President Lynn Dyer said in court documents.

Movie theaters, meanwhile, are concerned because beverages account for more than 20 percent of their overall profits and about 98 percent of soda sales are in containers greater than 16 ounces, according to Robert Sunshine, executive director of the National Association of Theatre Owners of New York State.

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Follow Jennifer Peltz at http://twitter.com/jennpeltz

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